Srong Girls Press To Start Publishing House For Working Parents

The STRONG GIRLS PRESS blog that will debut can be found at http://www.stephendavidhurley.com I was pleased to be a part of this project that began with a simple question to my students. “What fictional story would you most like to share with your parents? Why?”The books they chose really amazed me and reaffirmed that fiction has the power to open a dialogue on topics that are just too taboo to share in the “real world.” I’d like to ask a favor of all you hard working parents who are reading this. Tonight, when you get home please ask your son or daughter this question: “Could you tell me a young person either living or dead who you really admire?”

Look up that person and share what qualities that your child most admires. While we all love following the Kardashians, our blog is devoted to role models who need to be rediscovered.

Why We’re Afraid of Fearless Girl

Happy May 1st.

Who’s your favorite “Fearless Girl?”

If you know my book, Cease & Desist, you know my favorite FEARLESS GIRL is Cease de Menich. But, I want to know who you’d chose to be your favorite FEARLESS GIRL. Maybe she’s a friend from school who’s done something awesome. Maybe she’s one of your kids? I’ll be asking that question all this week on my blog. Please tell us what it takes to be a FEARLESS GIRL in our society today.

On Wall Street there’s a bronze statue of a girl who looks about the same age as the sixth graders in the middle school that I teach. She looks pretty fearless as she’s standing up to a raging bronze bull; and she’d better be, it doesn’t take much to see that bull represents men, greed and the lack of women in positions of financial power. The artist Kristen Visbal, maintains that the statue of a child posed with her fists on her hips represents “the power of women in leadership.” Many feminists who don’t like the statue claim she’s a cheap corporate-centric ploy to hide the real issues like equal pay and reproductive rights (the piece was commissioned by State Street Global Advisors).

Everyone loves the image of empowerment represented by a girl standing up for herself in the ruthless, financial jungle our world has become. But, how would some of us men feel if it were a woman standing there? Pretty intimated, right?

But the problem goes deeper than that for men, women and children.

We aren’t just angry at Fearless Girl. We’re afraid of her, afraid for her. We’re afraid because we know in our hearts her future is imperiled. She doesn’t stand a chance alongside a President who is being mocked as “the pussy-grabber-in-chief”; but also brags his daughter (or is that his wife? Even he often gets them confused) is a model–not just for the latest issue of Maxim–but for longer maternity leave. Will our fearless young women be devoured by the wave of sexism that many attribute to the president’s base? Hillary Clinton recently claimed that she lost the election because of misogyny, that America is threatened by having a woman in the oval office. I don’t believe that a majority of us feel that way. I watch young girls stand up for their rights every day in my classroom.

The real problem isn’t just emanating from the oval office. The truth is, Fearless Girl doesn’t stand a chance against the mixed messages the media sends all young women. We want our daughters to be strong, but don’t we also want them to look gorgeous in revealing bikinis? The media thinks so. And the truth is, we who call ourselves “feminists” don’t even know what that word stands for anymore. The most progressive and intelligent young women I talk to at my school don’t consider themselves feminists, because they think it stands for a woman who doesn’t like men and doesn’t enjoy being herself.

To speak against feminism is to speak against basic human rights. But it’s time for someone to admit that the type of feminism that once worked–or at least, forced people to take notice–has changed. Young women aren’t weaker than they were a generation ago, but they’re a lot more confused about how their voices will be heard. Fearless Girl doesn’t just need a woman mentor, she needs an interpreter who can help separate the truth from the bull. 

Why 13 RW is an important show.

As many of you who read my blog already know I use fiction to help teens discuss topics that are too tough to talk about “in real life.” Teen Suicide is one of the most important topics for young people to share on. Today, I’d like to respond directly the recent criticism about the show 13 RW from mental health “experts.”

Sympathy for the Devil–Why We Love to Hate this President

This is the last post I will write about President Trump. Of course, I promised that after the first post I wrote about the Donald. But like most people who love rubbernecking a trainwreck, I can’t look away. He’s so outrageously inhuman, so preposterously un-PC that it feels as if our nation’s collective unconscious has been cast in a reality show gone horribly wrong. I’m not alone. I listen to people make predictions, count the days to his coming impeachment.

Wake up, America. We need Donald Trump. The same we needed Tonya Harding. The same way we needed Rosie Ruiz. Do you remember her? She cheated at the Boston Marathon over thirty years ago. But even non-runners alive that day remember her name.

Could you tell me which President was in office on the day Rosie Ruiz “ran” Boston? You know from my posts I believe there’s a small, ugly part of each one of us that loves to hate this President–and that means there is a small part of each one of us who is egging him on. Before you adamantly deny this, please give me a chance to explain.

We need cheaters. They make us feel morally sound…they make us feel that our system–all those checks and balances our forefathers set in stone–really work.

Do you remember Jason Blair? He cut some corners on the way to the finish line. Do you remember Janet Cooke? She won a Pulitzer, until The Washington Post found out she made up the whole story. Fake news has been around for a lot longer than we are willing to believe. We need fake news because reality is sometimes too hard to accept.

And that’s the same reason we need fiction. Only fiction has changed. And we need to study it if we want to know what’s really going on.

If you know me, you know I write contemporary fiction. You know I’ve written a YA novel called Cease & Desist about a reality show gone horribly wrong. People love reality shows for one simple reason; we love to watch people in distress. We love to watch them cut corners and get caught. But when our beloved reality show gets transferred onto the all-too-real world stage, we get scared. We helplessly lash out at the bad guy.

Cease & Desist is a book about a bunch of young people who do some pretty terrible things while the whole world watches, and votes for a winner.

Donald Trump may be evil. But he’s one of us. He may be a cheater. But so are many of those we trusted to report the truth. Do you want to know how this unreal reality show is going to end?

Keep watching.

 

 

 

 

 

 

The Celluloid Glass Ceiling: How Patty Jenkins Became Our New Super Heroine

Last weekend, Warner’s Wonder Woman broke a box office record. It’s the first film directed by a woman to crack $100 million at the box office. It also revealed a long suppressed, dirty secret of Hollywood; the celluloid boardroom is just as sexist a the rest of corporate America. And it took a film about a strong woman directed by a strong woman to show us that.

Last year, only 7% of the 250 highest-grossing films were directed by women, according to the Center for the Study of Women in Television and Film at San Diego State University. That number has fallen 2% over the past two decades. Even though women consistently take home directing prizes in prestigious festivals like Sundance for art-house films, they’re largely boxed out of the most lucrative genres.

I don’t think Patty was raised by Amazons or wears body armor (except maybe in the boardroom) but she had to overcome a lot of obstacles to make this film happen, including replacing another director (Michelle Maclaren) to make the first major superheroine movie in over a decade. The last attempts were Catwoman and Elektra: both films were directed by men, got poor reviews, flopped at the box office and convinced studios for several years that female superhero movies just “don’t work.”

Ironically, Patty nailed it by not shying away from Wonder Woman’s (played by Gal Gadot) fragile, “more feminine” side. The film opens with our young heroine, Diana, true to the legend as a girl being raised by women on a remote Greek island. The notion of a young, fearless girl being trained by strong-willed mother figures is a powerful, irresistible trope that has long languished in Hollywood’s overtly sexist “princess mentality.” The notion that a superhero can only recognize her superpower from a male dominated myth, is refreshingly obliterated by the first ten minutes of the film.

When the young Diana finds herself in the middle of World War I, confused and fragile, I marveled at how far we’ve come from the TV cartoon icon of the 1970’s. Diana doesn’t look tough and voluptuous the way Lynda Carter did; she looks tough, and lost. By avoiding all the distracting modern gadgets that fuel modern superhero movies, and placing it in a backdrop of history’s most bloody and pointless war, we see a real woman, who must use more wits than magic to overcome a fear many women have: that their power and drive will undermine a real, romantic relationship.

The casting of Godot was brilliant and is true to form for Jenkins as she’s adept at turning incredibly beautiful women into real human beings (She directed Monster, starring Charlize Theron). Godot isn’t really beautiful until she gets knocked down and punched in the face. Then she becomes the kind of woman who baffles and enthralls her love interest.

For her achievement, Sally Jenkins stands alone, but I don’t think this film could’ve gotten a green light were it not for our begrudging acceptance that gender roles are complex, too complex for your typical “Blockbuster.”

Hollywood, despite all it’s liberal progress needs to realize that sex and gender are still worlds apart and exploring this divide will make future “superhero movies” into films about real women who realize their extraordinary power comes from within.